A False Warning of Lies

A False Warning of Lies is the debut album by DJ LaZeR-Robot, otherwise known as ex-Ryuga bassist Ryan Treviont. It was released through Equal Vision Records on December 6, 2010. Treviont describes the sound and structure of this album as a "mild-mooded, experimental art of illusions that infiltrates Chiodos and leaves with Daft Punk". It should be noted that all the songs (except tracks 5 and 13) have intros derived from video games, and the themes of each track are based on them so. So far, this CD has received critical acclaim.

Track List
1. "Jack the Ripper" - 3:55: intro from Tekken 5 character select.

2. "Mushroom Kingdom Beatdown" - 6:01: intro from Super Mario World 2: Yoshi's Island map music.

3. "The Hyrule Oblivion" - 3:23: intro from Zelda II: The Adventure of Link battle music.

4. "The One-Winged Angel of Death" - 4:40: intro from Final Fantasy VII battle with Sephiroth.

5. "Hatred Symphony" - 1:59

6. "The Alpha Warrior" - 9:02: intro from Street Fighter Alpha 3 story demo 1.

7. "Donut Lift Season" - 4:30: intro from Super Mario World 2: Yoshi's Island athletic theme.

8. "Speedy Battle Demons" - 3:08: intro from Sonic Adventure 2: Battle title screen.

9. "Smashing the Way through Superb Victories" - 5:11: intro from Super Smash Bros. character select.

10. "Armageddon" - 2:00: intro from Mortal Kombat: Armageddon title screen.

11. "A Fight So Wild!" - 4:12: intro from Pokemon Gold/Silver wild Pokemon battle.

12. "Liquid Body Tetris-Man" - 7:35: intro from Tetris Attack Bowser's stage theme.

13. "Outro" - 00:32

Reception
A False Warning of Lies received universally positive reviews, before and after release. Alternative Press gave a positive review, comparing Ryan Treviont's work to the likes of Daft Punk and Thrice. They also stated that his lyrical themes were incredibly intelligent, remarking the concept themes of Heaven and Hell at the same time on the same album. Blender gave the album a positive review, also. They liked how the illustrations and the album cover matched with the lyrical content and sound style nicely. AFWoL had also sold relatively well, peaking at #32 in the United States and so forth.